I wanted to take some time to field some of your responses individually.
I don’t really know what I was trying to accomplish with this. I know that I am just a little fucking hair on the ass of the ski industry. This is an online forum, a place where people discuss opinions on topics their passionate about, and I’m passionate about the fact that I feel the ski film industry is overlooked, overworked, and underpaid.
Steve – You’re completely missing the point. Hearing that sort of shit from someone that works for the company that started the anti-comp was weird. Of course I know that 90% of the money in this industry comes from gapers buying carving skis you clown, and that’s precisely the demographic that used to fill the Warren Miller premiers. Yeah, even we used to have giant WM premiers out here in Buttfuck, AK. God damn, are you still butthurt that I bashed Margetts’s campaign? Imagine if a company that had the backing that the old Warren Miller films had put a segment like Karl’s Detroit part in a movie and showed it to hundreds of thousands of people. Sure, old powder hounds would probably boo it and talk shit about how dumb they are, but their kids watching it are going to think it’s cool as shit, and most likely all of the people there that ski twice a year will go ape shit for it. Sure, people might get pumped watching them flip and spin around at the Olympics, but I really don’t see it drawing many people in to it as the former situation.
Now here is where I admit I’m naïve and idealistic and this will probably never happen, but my solution none the less:
There needs to be a shift of money from the competition side to the filming side, coming down from a corporate level.
Kruse, I know that there’s not MLB-type money in skiing, but there is money there, and you know it. I know I keep going back to Sherpas, and really because I think that they are so close to toppling over the whole fucking Jenga stack, but what if instead of North Face putting up their Tom ad (sorry Tom), they put up an Into the Mind US Tour commercial on ESPN. Let’s say Harry Ballsagna sitting on his ass watching Sportscenter sees snippets of Tom and JP’s urban seg, the guys shredding powder with fucking Eagles, and Callum’s asshole-puckering Bella Coola shit. He’s never seen some crazy asshole jumping around skis, and holy shit, they’re having a US tour showing the movie? Well fuck me, he just might hop on his iPad and see if it’s coming to his town. Say it is, and he’d be his two sons’ hero if he bought four tickets (one for the Mrs.) and made a night out of it. Even if they don’t put those free lift passes to use (renting gear in the process), they just pumped $120 into the industry for checking out the premier. Personally, I see that as a way more likely chain of events than Rod Hardy’s kids seeing the Olympics or Torin eating a Pop Tart in Tucson, Arizona and asking him to let them ski, then agreeing, and driving 6 hours to Flagstaff to try it out.
All it’s going to take is one forward thinking company to hit that first domino and shit will start shifting. Hell, personally I would be happy if it just shifted to an even keel. I’m also not insinuating that the guys at Stept should be making $100,000 a year, but at least give them enough to keep them above the fucking poverty level, and maybe let them put a little money away. Speaking of $100,000, I’m glad someone brought that shit up. I can’t wait to see what 4bi9 and Dale do next season with that money. Fuck, that’s practically a small level science experiment to see what can happen to the production value and promotion of a film with an influx of cash.
Then we can all day dream what it would be like if the people Pete listed made half what they did, and the other half got shifted to the film companies. I mean holy shit; look what Tom accomplished in 1 season in between competing and fulfilling his “corporate sponsorship requirements”. Why weren’t they pumping The Wallisch Project in his ESPN and NBC commercials instead of a giant fucking North Face logo?
I don’t really know what I was trying to accomplish with this. I know that I am just a little fucking hair on the ass of the ski industry. This is an online forum, a place where people discuss opinions on topics their passionate about, and I’m passionate about the fact that I feel the ski film industry is overlooked, overworked, and underpaid.
Steve – You’re completely missing the point. Hearing that sort of shit from someone that works for the company that started the anti-comp was weird. Of course I know that 90% of the money in this industry comes from gapers buying carving skis you clown, and that’s precisely the demographic that used to fill the Warren Miller premiers. Yeah, even we used to have giant WM premiers out here in Buttfuck, AK. God damn, are you still butthurt that I bashed Margetts’s campaign? Imagine if a company that had the backing that the old Warren Miller films had put a segment like Karl’s Detroit part in a movie and showed it to hundreds of thousands of people. Sure, old powder hounds would probably boo it and talk shit about how dumb they are, but their kids watching it are going to think it’s cool as shit, and most likely all of the people there that ski twice a year will go ape shit for it. Sure, people might get pumped watching them flip and spin around at the Olympics, but I really don’t see it drawing many people in to it as the former situation.
Now here is where I admit I’m naïve and idealistic and this will probably never happen, but my solution none the less:
There needs to be a shift of money from the competition side to the filming side, coming down from a corporate level.
Kruse, I know that there’s not MLB-type money in skiing, but there is money there, and you know it. I know I keep going back to Sherpas, and really because I think that they are so close to toppling over the whole fucking Jenga stack, but what if instead of North Face putting up their Tom ad (sorry Tom), they put up an Into the Mind US Tour commercial on ESPN. Let’s say Harry Ballsagna sitting on his ass watching Sportscenter sees snippets of Tom and JP’s urban seg, the guys shredding powder with fucking Eagles, and Callum’s asshole-puckering Bella Coola shit. He’s never seen some crazy asshole jumping around skis, and holy shit, they’re having a US tour showing the movie? Well fuck me, he just might hop on his iPad and see if it’s coming to his town. Say it is, and he’d be his two sons’ hero if he bought four tickets (one for the Mrs.) and made a night out of it. Even if they don’t put those free lift passes to use (renting gear in the process), they just pumped $120 into the industry for checking out the premier. Personally, I see that as a way more likely chain of events than Rod Hardy’s kids seeing the Olympics or Torin eating a Pop Tart in Tucson, Arizona and asking him to let them ski, then agreeing, and driving 6 hours to Flagstaff to try it out.
All it’s going to take is one forward thinking company to hit that first domino and shit will start shifting. Hell, personally I would be happy if it just shifted to an even keel. I’m also not insinuating that the guys at Stept should be making $100,000 a year, but at least give them enough to keep them above the fucking poverty level, and maybe let them put a little money away. Speaking of $100,000, I’m glad someone brought that shit up. I can’t wait to see what 4bi9 and Dale do next season with that money. Fuck, that’s practically a small level science experiment to see what can happen to the production value and promotion of a film with an influx of cash.
Then we can all day dream what it would be like if the people Pete listed made half what they did, and the other half got shifted to the film companies. I mean holy shit; look what Tom accomplished in 1 season in between competing and fulfilling his “corporate sponsorship requirements”. Why weren’t they pumping The Wallisch Project in his ESPN and NBC commercials instead of a giant fucking North Face logo?