wide angle or not.

naw i love fish eye its so sick !!!

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HOLLA! ANCIENT REPRESENT!! www.ancientinc.com

'If I was a smart man I would tell you everthing I knew and give to you every time you needed a talking to what would that do?

Teach you my guidlines so you could be a cheerleader at your own game on the sidelines!'

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All your family was assitant pimps. My pimpin' comes from a family tree, my grand daddy was a pimp my great great granddaddy was a pimp, i'm talking 'bout pimpin' since been pimpin' been pimpin' since been PIMPIN'!!!!!!!!

 
It's a nice effect, they're used a lot because it's the only way to get a great shot somtimes. A lot of the time a regular lens makes for a more home-video look.

 
yeah, im definitely a fan of the fisheye, but i like a little variety.

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you bettter still have my jagermeister shirt, or I'll fucking drive a train through your anus. – jibtech

numbers are for jewish investment bankers - sleezemcfly

Somedays I like it crunchy, other days I take it up the ass! - Lanemeyers
 
I like fish's and wides, though I find myself shooting more and more long lens stuff for depth of field and focal length reasons.

Nothing's ever played out though if you use it correctly and throw in some creativity. There are a million different ways to shoot everything...

 
little off topic, but i like the 'rig the poor bastard cameraman on a zipline' shots. they're really cool. seeing the trick from above is awesome.

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i bought a wide angle last season and we used it alot for filming, although you can't zoom at all or it out of focus, but it is a huge improvement on the quality of filming. we shot with two cameras on with for close ups and follows and one from a distance for an overall shot. and for alot of tripod fading effects. you can get a whole shot with out moving the camera and fade the skier in and out of the frame. looks really good on film. i will post an example in the videos under steve shelby video1-4.

 
The fisheye is great for close up for rails, but if you are shooting anyone who is a way in the air, I think you loose out on a lot of detail. A fisheye by cinematic definition is a lens that is 3mm or wider. The wide angle lenses used on most film cameras used for the big companies is either a 5.9mm or a 5.7mm, so even though it does distort the shot and make it look all dope, it's not quite as wild as the fisheye lens atachments for a digi. I shot some stuff on a GL3 with a fisheye this winter in aspen for the PBP jibfest and the rails came out super dope looking, but on the jumps the skiers seemed to look like a little dot in a big sky. But thats just my opinion... of course I could be wrong

 
you definately need a wideangle or fisheye for some stuff, like if you wanna get a shot from below on a table or somethin like that

Fear causes hesitation and hesitation causes your worst fears to come true
 
its cool when you put it up to someones face, unexpectedly

I'm going to be Brutally frank with you, I hate your fucking guts, but goddamnit do i respect you, your picking up the dog shit- Frank the TAnk

 
yeah

NOT!

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Jules: What does Marcellus Wallace look like? Brett: What? Jules: [pointing his gun] Say 'what' again. SAY 'WHAT' AGAIN! I dare you, I double dare you, motherfucker! Say 'what' one more goddamn time! Brett: He's b-b-black... Jules: Go on. Brett: He's bald... Jules: Does he look like a bitch? Brett: What? [Jules shoots Brett in shoulder] Jules: DOES HE LOOK LIKE A BITCH? Brett: NO! Jules: Then why you trying to fuck him like a bitch, Brett? Brett: I didn't! Jules: Yes you did. Yes you did, Brett. You tried to fuck him. And Marcellus Wallace don't like to be fucked by anybody, except Mrs. Wallace.

BFSC WE DO IT FROGGY STYLE

 
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