what are you talking about? how many skate movies shoot super16, use non-distortion extreme wide angles instead of fisheye?
Most skate movies just have Sony cams and they slow it down in post. This shit had progressive, HD, widescreen, non-distorted footage. I have never seen that before in a skateboard film.
How many skate movies shoot a stationary shot then do synchronized pans in post?
Bag of suck had shitty filming by the way. Good movie, sick tricks, shitty filming.