Burrito
Active member
I just watched Push and Long Story Short. Both of them were just kind of, "I just watched a ski movie...eh. I think I'll go have a sandwich." The music and extreme slow motion just gave both movies a slow pace.
I remember the first time I saw Teddybear Crisis I was jumping out of my skin. It got me excited about skiing. It followed the same rhythm that skiing does: mostly fast paced and fun (like skiing steeps/park) with a few more relaxed segments (groomers/riding the lift.) It followed the Shakepearian method of alternating high emotion with low. Push and LSS were all low.
This mostly has to do with the music, but the variety of shots also has an effect. It doesn't help MSP to show 80 big mountain lines in a row (with one or two jumps thown in), and LSS was rail after rail after rail.
I loved the music and the variey of TBC, and I hope that attitude will return to ski movies.
I remember the first time I saw Teddybear Crisis I was jumping out of my skin. It got me excited about skiing. It followed the same rhythm that skiing does: mostly fast paced and fun (like skiing steeps/park) with a few more relaxed segments (groomers/riding the lift.) It followed the Shakepearian method of alternating high emotion with low. Push and LSS were all low.
This mostly has to do with the music, but the variety of shots also has an effect. It doesn't help MSP to show 80 big mountain lines in a row (with one or two jumps thown in), and LSS was rail after rail after rail.
I loved the music and the variey of TBC, and I hope that attitude will return to ski movies.