POST YOUR ARTWORK HERE!!!

I'd agree with it being wordy. I liked the concept of it and the metaphors you were using, but it could be simplified, which would make it easier to read and subsequently stronger.

I thought this bit was good: "I enjoyed this sacred hymn with utter glee; each bar was a wave of

pure excitement drowning me in ecstasy"

But it's hard for me to get a real feeling for what you're enjoying because the sentences leading up to it aren't nearly as smooth. "The oscillating squeaks of the chairlift's tired old wheels formed the melody playing over the bass line of my viscously pounding heart." I'm not sure it portrays exactly what you were intending, but the way I reworked it makes it flow a little better, it's easier to read and thus more powerful.

Simplifying your sentences is especially important at the start of a paragraph. Keep it simple and less specific to draw the reader in and expound upon your thought through the rest of the paragraph. Also, don't be afraid to combine many sentences into one; I think this would really help that paragraph where you go down into the ravine--keeping it as one sentence will give the reader the same feeling of relentless adrenaline that you're trying to portray as they read faster and faster, devouring the experience you're describing, instead of being hobbled by the many breaks resultant of starting new sentences. It's a fun/challenging exercise to write everything in one sentence without making it a run-on; I'm reading a book now where the author used one sentence for an entire part of the book, like 6 pages. It was kind of a marathon read, but it worked because it was intended to show the interconnection of all the separate stories as they all worked to create the book's singular storyline.

Keep writing, though, you've got a good start and practice makes perfect!
 
^I agree with your point on merging sentences in the skiing paragraph. I find your rendition of the first few lines harder to follow than mine but either way I agree that there exist better ways to phrase that paragraph. Thanks for taking the time to respond!
 
Just released a new song today and made the cover art for it:

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and the song for anyone that cares to listen:

 
Twenty one pilots is by far my favorite band ever. I'm going to see them for the second time this week and I'm so excited. So I drew this in my excitement667050.jpeg

it came out better than my last pen drawing i think
 
@Brad, for some reason i thought that was a MacBook decal for a second, nice and simplistic style.

@Stose, I'm drawn to the creases in the shirt, very nice.

Time for a Danish model: Freja Beha Erichsen:

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These are so beautiful. It also fascinates me how you manage to have a coffee in every picture. How long does one of these usually take you?
 
Thank you very much I appreciate it, the coffee has since become a sort of theme in the photos, and when you drink as much coffee as I do, it ain't hard getting one in frame.

How long it takes? It depends, I don't really clock the time, but I mostly draw at night whilst listening to a podcast that last an hour to 1 hour and thirty minutes. Most of them take shorter then that, some longer.
 
Yeah, you're very welcome, it's so pleasing to look at these. Post them all up if you have more, I want to see them even if you're not satisfied with the results! I would definitely be drinking similar amounts of coffee if I had an espresso machine in my apartment...

Looking forward to the next one!
 
dude those comics are awesome! i especially find the one with the woman asking the guy all the 'so how was" questions funny, because its real

keep em coming!
 
Well here she is, Karlie Kloss:

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Cool work btw, strange vibe on the last one with all the soft muted colours and the stark black geometric lines in the front.

And you have a pretty unique and distinctive style in your comics Meases.
 
first drawing i have taken seriously in a while. guess it turned out ok.

i going for this picture:

View attachment 660753

and got:

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the folds in the sweatshirt are really difficult to get right. but other than that i think it went pretty well for being rusty. i definitely want to do some more so any pointers would help on the more technical clothing and stuff like that. thanks NS
 
^ Not bad. I'd say try not to group his body into one outline. His shirt and pants aren't flush, so there shouldn't be a smooth line between them. Also, try to make the body pop more and include textures/folds/etc so that it's less like it was an outline that was filled with shading and more like an actual shadow and its effect on the clothing.
 
Yeah, this is great, I love it. Keep up your incredible work...

Thanks. The last one is the only painting I've been happy with when I finished it for a long time.
 
just got bored and wrote this. not really like anything i usually write but whatever

StartFragment

Last night I wandered through the empty landscapes of the

past eighteen years. I think it

had to do with the vodka and vitamin water I swallowed over my dorm room desk

in order to warm up my tired soul, hoping someone else would take the wheel and

steer me in the right direction. I

though about that desire, the insatiable thirst tearing my limbs apart in every

which way; the aching in my bones as I fall out of bed in the morning; the cold

winter air seeping in through flannel shirts and khaki pants. And we rationalize by saying we’re

stuck in an endless routine or by passing from girl to girl over the course of

the school year. It’s deeper than

that, you know, sometimes we just need a little compassion.

Between

the blurred alcohol-induced dreams I’ve found the only truths in my life; the

emptiness that overrides everything else…. The emptiness I fill with the steady

beat of my subs and smoky inhales.

It’s no wonder I wake up feeling more sick than when I drifted to sleep. It’s no wonder everything seems out of

reach when you stand a towering five foot five inches. It’s no wonder that my outstretched

arms drop to my sides and leave a bitter taste on my tongue.

First

period, I’m skipping Spanish to pump sound waves through my shivering

frame. The practice can be mind

numbing and mind awakening without even a simple conscious appeal. It’s better than the oxys I’m hung over

from, it’s better than slow dancing with the girl of your dreams, but you know

exactly what I’m wishing for; a punch to the face. A night under streetlights holding her hand and walking on

the train tracks. If I walked far

enough I’m convinced I’d find her waiting there for me five years ago. But for now I’ll just beat myself

up. I love the taste of my own

blood, and as you can guess I’m a little fucked up. As you can guess I’m a little mixed up between the images I

create and the connections that I’ve tried to make. I’d rather sit alone and fade between nicotine coated air

than sit in some study room and contemplate why I’m there. I’d rather be alone that have friends I

can’t even count on anymore. I’d

rather be fucked up than misled, I’d rather have someone to explain these

thoughts in my head. And that’s

where you come in. The anonymous

audience is the best I can find, and I suspect that you’ll listen to me better

than anyone I actually know. Now

it’s your turn, so pick your words wisely.

EndFragment
 
Pretty stoked about my NS x J Skis collab design. Hand drawn on paper and colored in photoshop.

The topsheet took about 3 hours to draw, which I did by taping three sheets of regular printer paper together vertically and drawing in a 5"x31" area of the sheet. I sketched it out with a blue colored pencil so that I could remove the draft/sketching in post. Then I drew over the pencil with a regular pen. I scanned all three sheets into my computer, assembled them in PS, then used the tone curve + hue to get rid of the blue pencil and to boost the contrast so the lines were solid black on white. For coloring it, I just duplicated layers, used Darken blend modes, and colored underneath the original outlines. Coloring the topsheet took probably around 6 hours. I did the bases with the same project but managed to do those all in around 4 hours for drawing and coloring.

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I love the fact that this has some hidden imperfections - yes it's weird, but it's very interesting to look at. Nice job.
 
Could do with this on my wall.

How do you get these so accurate? Do you look at a screen/piece of paper with the picture on and just draw?
 
I first mark out the position of the eyes and several other features and angles I know with dots and squiggles as accurately as possible and then use a picture on my iPhone or MacBook during the drawing phase as reference. Having those dots of reference really help to keep everything properly aligned without them funny things happen to faces. And the rest is just practice I guess.

I could draw a Loomis head first but I'm too lazy to sketch one out so I always skip that stage.
 
no i wish i had access to that, it's soda fired, for the most part those pieces were unglazed besides the insides and a few little sprays of some flashing slip and thanks god! you should post up some pieces :)
 
Not trying to rain or your parade or anything, but from my eye it appears as there is no doubt that these black/white portraits you've been doing are meticulously traced, as opposed to freehand drawing...

 
Haven't posted much in a while so this stuff is all relatively old.

Some studies from my favorite movie district 9. The last one is 30 min.

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bones studies

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random vehicles

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some old busts I did in high school. Sharpie marker. The street artist Swoon was a huge inspiration to me back then

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This is a reasonable point, but I would think Lawrence would be pretty honest about his art. Then again, there was that one car drawing that wasn't actually his. Lawrence, maybe one day you could record yourself drawing one of those faces?

And Brawk I fucking love your style so much. I love the sketches.
 
I don't trace, yes I know that car drawing for which I still deserve a pounding was actually a study from that french guys amazing work. There's three reasons I now work with a sketchbook, I can take it with me, I save on ink and because I can't possibly trace with it as a defense against people who say I do.

And the reason I always do these portraits is because I literally can't do anything else, I've been doing these for years hence I can draw very poorly from imagination or for the matter anything else really. As someone on /ic/ stated, I've become a sort of human-copying machine. And frankly I don't even mind, since for me doing those portraits is a moment of relaxation in my otherwise hectic life.

I was already thinking about doing one of those time-lapse drawing videos since someone on another forum asked me the same thing.
 
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