I believe Jibtech, that you're actually getting called out on the misuse and abuse of white and black frames that you tie to beats.  I agree with your accusers, its certainly a little old at this point, as in, it really went out of style with Propaganda, but then again, that was before your time?
The REAL progression in ski filmmaking is transitioning a singular shot from color to black and white, or vice versa, right Jibtech?  Or, for those super advanced in progressive editing techniques, you can go BACK to the original saturation level (yes, a second transition within a shot!), or better yet, tie your transition to a change in the clip's speed.  Thats the new hotness if you ask me.
H30 FILMS RULES ALL!