okay considering that i plan on pursuing the same thing...this is what i've learned about film school. DO NOT GO TO FILM SCHOOL FOR AN UNDERGRADUATE DEGREE. how good of a filmmaker can you be if you don't know shit about anything but filmmaking? you need to educate yourself because you need to be able to draw on things other than how to work a dolly or master sequencing. an education is important and thats something that you completely don't understand until you've been in college for a while - the value of an education is entirely different than all the bullshit you 'learn' about in high school (i don't care whether its exeter or some south central l.a. shit).
theres a lot of different takes on how to get into being a filmmaker. some post graduates will say fuck college, just spend your money on making a film, but thats only because they've already been to school. others say that an undergraduate degree in film is pointless because as standards are rising, you will need a graduate degree more and more (what i will be doing).
look, my advice is that you get yourself into an undergraduate program that has nothing to do with film (i'm an anthro major), then if after 4 years you still love film with a burning passion (like i still do), then not only will you have educated yourself on some other important and very useful areas of academia, but you will then know for sure that you should be a filmmaker - remember that these sorts of decisions should be made with the intention of making a life out of filmmaking, so what does it matter if you wait a few more years?
but if you want to know specifics about film schools its fairly simple. you need to figure out what aspect of film you want to go into: hollywood (puke), indie (yes), or experimental (ballsy). some film schools are centered towards the death machine of hollywood (yes i'm being subjective), some are centered towards the indie scene and some are centered towards experimental (in case you don't know this is the super genre that has absolutely no intention of making money, just an absolute love for expression through film). next you need to determine whether the film school does two important things: that you 1. complete and turn out you own student film and 2. have a screenplay to present to film production companies to show them what you want to make. in terms of the way filmmaking works, you need both of these things. some film schools like usc (apparently) don't ensure that you'll be able to make you're own student film, often times they select the best film idea from the class and then everybody works together to make it...which is incredible for that one kid and a load of shit for everybody else. other things that you need to consider are how good the schools equipment is, how accessible it is, how good the funding is for student films..etc. a lot of this shit i've learned from a number of sources and basically you can learn about all about it (concisely) in a book called 'how to get into film school' - but that book only talks about grad schools. they authors that wrote it follow the same idea that i have about needing an undergraduate education that expans your mind and gives you some material for application.
private message me if you want to know more...i spend more time thinking about film than probably anything else...so maybe i can help.
'skinny dipping sesh, later.' - laguna beach.