Clayton Vila FIVE Trailer and Q&A

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Clayton Vila is on top of the game. Actions speak louder than words, so sit back and enjoy --

[video]http://vimeo.com/103939722[/video][video]http://vimeo.com/86449278[/video]

This fall, Clayton will be releasing his first solo film project, titled FIVE.

[video]http://vimeo.com/105406298[/video]

Clayton will also be stopping by on Friday afternoon to answer your questions, so if you have ever wanted to ask him something, now's the time. Simply post your question in this thread and wait! We'll update it with the exact time later in the week.

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Why do a solo project, and what was the main catalyst in deciding to do one?

Making my own film has always been something I have wanted to do. I have always been very involved with the editing and filming of my segments with Stept and the movie as a whole, and directed and producing my own film is simply the next step for me. This movie is not a way to best portray my skiing like The Creep, or any of my other stept segments has been. This is about the filmmaking and establishing myself as a director and producer. Many of us riders in the Stept movies essentially direct our segments every year; setting up camera angles, editing, ect, but never see any credit for it.

How different is doing a solo project versus filming with a crew?

The filming and skiing process was almost exactly the same. I raised a budget through my sponsors and hired Stept to film me for the year. However, that meant that Cam, Shea, Sean, Chuck, and myself went out and did the same exact shit we do every year. I was still directing how everything was shot when I skied, while still spending even more time filming all those guys. The only difference was that I every one of my shots went straight onto my hard drive. What was much different was all the shooting I did in Hollywood. That was my first time directing and producing anything not involved with skiing.

The business side was the big difference this year. Of course, to even make it happen I had to spend countless hours making proposals and talking on the phone convincing people to give me money to make a movie. Once I got the funds, I started my own business, CRV Industries, as a way to hold my budget and deal with my taxes appropriately, which any business owner knows is a complete shisthow to do on your own. And from there I proceeded to spend every dime on making the wildest shit I possibly could. And after it all, I am releasing it for free and don't have a dime to show for it. Trying to perform at you highest level on skis, while book keeping your business expenses is definitely no walk in the park.

What is your desired reaction with FIVE? What are you hoping people will be thinking when the credits roll?

I want a ton of different reactions. This movie is very abstract, and it has a lot of subjective meaning. Hopefully everyone will make something different out of it. It is far from the average construction of any ski film or segment, but it still tells a story. One thing I can guarantee is that people are going to think it is very weird, and that’s what I want. I like making people feel weird.

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Follow Clayton online, on Facebook, and on Instagram.

**This thread was edited on Sep 10th 2014 at 1:53:47pm
 
You said the following in the article on ESPN: "I'm never stoked on my segment at the end of the year. We only have four months. You're just never going to finish all the things you want to do."

That being said, is filming a part over two winters or more something you consider doing in the future, in order to put out a part that really portrays what you had in mind?
 
What's the most terrifying urban hit you've ever done?

Is all of Five gunna be as uncomfortable as the trailer? But the skiing was ill so I wouldn't mind
 
are you competitive with sean jordan or are you more friends? And how do you feel about your " previous " filmer?
 
Are you going to continue skiing with the Stept crew in the future despite this being the end of their run of annual films? Or do you have plans of your own for the future?
 
Trailer looks awesome, quite stoked for this project. Looks like the skiing and storyline footage will flow together really nicely
 
where does your style come from? is it something you yourself created or is it the child of your idols' styles? and who would they be?
 
What is your favorite rail/feature that you've ever hit?

What is your favorite city/area you've gone to when filming?
 
This one is for Clayton to ask Shea. I recently grew a beard and noticed that whenever I blow out a snot rocket, a little bit always ends up on my mustache. How do you counter this?
 
You say in your carear reflection something along the lines of "I just got sick of being judged". How do you deal with criticism from the community with regards to your segments?
 
Why haven't you hit this?

(I expect the Stept crew knows where this is and would be disappointed if they didn't.)

726884.jpeg
 
I enjoy the dudes skiing....But what the fuck is going on here?

Weird trailer, and not the greatest urban skiing (still pretty good, but not as banger as expected)...

Why not just stick it out with Stept for one more season and help put out a sick final film with them?
 
As far as I heard, your film is going to be free. But if it's really that outstanding, what it probably will be considering your segments over the past few years, is there a way to kind of buy it? Cause now knowing how hard the industry is I'd maybe like to purchase it just to support the sport!

Just a thought tho...
 
13127202:gerbear said:
not the greatest urban skiing (still pretty good, but not as banger as expected)...

i'm not sure what else you could've expected, the drop on that dam was like 40+ feet and the rest of the shots were pretty fucked too...
 
13127202:gerbear said:
I enjoy the dudes skiing....But what the fuck is going on here?

Weird trailer, and not the greatest urban skiing (still pretty good, but not as banger as expected)...

Why not just stick it out with Stept for one more season and help put out a sick final film with them?

I think this short film shows much more promise to be something people will remember, especially compared to the last few Stept films. Every one of the shots looked gnarly, the redirect off the bridge especially so
 
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