Who develops their own film?

a_pla5tic_bag

Active member
I do, I actually wrote a pretty good tutorial for it in some cult. I'll go get the link. Anyone else do it? it's really easy and fun to do. I should get some color stuff over this winter break.

Here's some unusually contrasty HP5 done in D76.

Straight out my dorm room window.

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and this dog, I lold.

5212574105_a63097af12_z.jpg

 
Actually I'll post it here:

Read this before you do it, don't do it hile doing it. How to develop

black and white film, both 35mm and 120mm. When developing black and

white film, it needs to be normal black and white film. This means that

you probably can't buy it at your local drug store. If you are not sure

whether your black and white film is normal, check the box or canister

(or roll if it's 120). If it says Process C-41 or something similar,

then it's not normal. Normal black and white film examples are films

like Kodak Tri-x, any Ilford film besides XP2 Super, and Fuji Neopan

Acros. BW400CN won't work either.This tutorial takes you through what

you need and how you do it and is illustrated with photos.

What you need:

-Normal black and white film

-1 developing tank

-1 reel (sized depending on the film you want to develop.

-Developer

-water

-fixer

-Either a changing bag or a dark closet

-photoflo (optional)

-something to mix the chemicals in

-somewhere to store the chemicals

-something to store the chemicals in

-A graduated cylinder or measuring cup



STEP 1: MIXING THE DEVELOPER AND FIXER

There are basically endless possibilities for developer combination's.

There are so many i would be redundent to name them all. But basically,

just follow the steps on your developers packaging, this is assuming

it's POWDER BASED. If you buy LIQUID DEVELOPER then you can skip this

step. I mixed my powder based developer in a large bleach bottle that i

washed out. Fixer works the same way.

STEP 2: PREPARING FOR DEVELOPING

THIS MUST BE DONE IN TOTAL DARKNESS. First you need to take your

developing tank, reel and other pieces to the tank into a changing bag

or a dark closet. Then what you need to do is remove the film form the

canister, this can be achieved by peeling apart the opening that the

film used to be coming out of on the canister. then pull the film out of

the canister, it's going to be really curly so have patience. Here

comes the hard part, getting the film on the reel. If you have never

done this before, i suggest buying a roll of film (any roll of film will

work for this, black and white or color) and pulling it out of the

canister and trying to get it on the reel with your eyes open and in the

light. Then try it with your eyes closed. Then you can move on to the

real thing. Once you have the film detached from the canister, which is

achieved by removing the tape or just ripping the end of the film from

the canister (removing the tape on the end is better), you need to get

the film on the reel. On the reel, there are little feet that stick out

on the inside. Put the end of the film through these feet and pull it

along the reel a little bit. Then you can spin the reel back and forth

which should pull the film along the reel via a ball bearing system. If

the film is not moving, then it's not on right, try again. once the film

is completely on the reel, place the tube that came with the tank in

the tank. Then put the reel on the tube in the tank. Close the lid on

the tank tightly and make sure it's closed and will not come off. Once

you're sure it won't come off, exit your dark environment. ]











STEP 3: DEVELOPING THE FILM:

Once you have exited your dark environment, get your developing supplies

ready, this includes the tank, a timer, developer, water, and fixer.

Put the tank down and pour the developer into the hole in the top of the

tank. I suggest getting bottles that store close to the exact amount of

developer that fits in the tank at one time. I use Gatorade bottles and

i have a 20oz tank. Once you have poured the developer into the tank

start the timer. Something you need to do during developing is

AGITATING. This ensures that the entire film surface is hit by

developer. Agitating is just shaking the tank to move the developer

around. I usually agitate for 30 sec st the start of developing and for 5

sec every 30 sec after that. This does not have to be very strict, you

could agitate basically any time you want whether it be never (I don't

recommend it) or constantly (gonna tire your arm out). Developer times

vary from developer to developer and film to film. Also, if you diluted

the developer it will vary the time. Go to digitaltruth.com for

developing times for basically all film and developer combos. Once the

developing time is up, pour the developer back into the container. DON'T

OPEN IT YET. Now pour in room temp water and agitate for 30 sec then

dump that down the drain. Last step; fixer. This is the same thing as

developer, fix for like 10 min or so (times may vary). Pour the fixer

bcak in its conatiner. USING DEVELOPER MAKES IT NOT WORK AS WELL THE

NEXT TIME YOU USE IT, SO ADD LIKE 10 OR 15 SEC TO THE NEXT TIME YOU USE

TO DEVELOPER.

STEP 4: AFTER DEVELOPING

Open the tank, take the film out and off the reel, if you have photoflo,

submerge it in that for 30 sec to 1 min. Then hang them to dry. Your

film should be correctly developed provided you did everything right,

mind this takes practice and developing methods and times and whatnot

vary from person to person, this is a general guide on how it typically

goes for most everyone.

STEP 5: DIGITIZING YOUR FILM

Well this requires a scanner, one with film dedication capabilities, i

have a canoscan 8800F. Cheaper options are epson 4490. Scan your film

onto your computer and edit in Photoshop or another film editing program

I realize that i may have missed something in the guide or not have

covered some sort of special situation seeing as how i typed this at

11:30 at night. Post it in here and i'll see what i can do.
 
haha that took me a sec. I'm not sure what I did. I usually agitate using the same system and this time was no exception. I may have done a little extra shaking i guess. although those were some pretty dynamic lighting situations.
 
Both, metal is for the big boys. Ha I don't even know how to use plastic. If anyone every came to me in the lab and asked for help I did what the responsible labbie should do. Took their plastic from them and handed them metal lol.

And I never shot hp5, I was a delta kid, but I can't imagine that hp5 is naturally that contrasty. I did used to shoot tmax and process through d76 and it always came out super contrasty. I blamed it on the film though, maybe it was the d76.
 
I have lot of delta in my fridge but I'm waiting for some brighter light to shoot it. But I've always had hp5 be punchier and more contrasty than delta and t max. T max is more smooth I think.
 
I mean i develop my own film but i shoot medium format. and Despite I'm jealous you get to use metal, the place i process at only has plastic and it's not bad but it just feels flimsy.
I've think i heard that Delta 100 in D76 produces some nice results. I stick to the HP5 though.
Anyone develop their own Color Film?
 
have a camera, have some film, need stuff to develop... I think i going to try your steps though thanks
 
FUCK YES!

This is just what I need!

I really want to develop my own film but couldn't find a good guide to start with, thanks so much!

I still shoot a tonne of film, but developing is the next step and should be super fun, can't wait~!
 
not to be a dick, but why bother? do you have a darkroom to print in? other wise i can't really see the reason for this
 
It's not toxic unless you drink it, slides processing is the one thats slightly dangerous. Actually, tomorrow I want to look up he MSDS for the developer so I can see whats up. They've been heckling us in chem labs about reading these things so why not.

I have access to darkroom stuff Haven;t made a print yet though. I used to make them in high school but I'm in college now. Plus I have a pro film body that's much better than a digital one I could get for a equivalent price. It's stood up to everything I've thrown at it so far. Plus digi stuff is constantly changing and depreciating in value.
 
The developer could have been too warm, your development times are for 68 degrees. If it's under you'll need to develop longer and you'll get a flatter negative, and if it's warmer your development time will be shorter with more contrast.

D-76 is also supposed to be mixed 1:1.
 
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