Exactly nothing will ever beable to totally duplicate film. It's totally unique. You can always say files are "RAW" but they're still compressed in there own format whether it's ArriRAW, 444, REDCODE....etc
While film clearly will fade away at some point, there is just something unique and incredible about working with film.
it all depends on the situation, id rather work with a red epic than 35mm film. Of course, working with film in the right situation would be amazing but as i am now, i want digital.
I see what you're saying, and if I was working as a one man band i'd want to work with digital too. But with an unlimited budget, having a crew to do most of the grunt work, i'd definitely choose film
so now it sounds like you dissing my opinion? I just said i shouldnt judge you for wanting to work with film and now you make this comment that implies that film is better than all the possibilities of digital cinematography. personally i would choose many other setups beforehand. PERSONALLY. not for you. for me.
Film isn't the easiest medium. That is clear. It's expensive and timely. But it is beautiful. We'd all love an Epic, but this thread is labled...."Dream Camera" which I'm assuming in the perfect scenario that is what he'd want to shoot. I don't blame him. I'd probably pick an Arri S35 camera in my dream scenario as well. But with my current workflow... It would now doubt be an Epic, and I'm getting closer
same but id add a crane, stablizer chest mounted type of thing, tripod, a bunch of lenses, a seperate mic, lighting, a copter to get thoes nice arial views, and random other shit i could find plus its aways good to have a dslr so canon 5d mrk ll
If I had all the money in the world for a camera I would call up sony,canon, or red and tell them to research the ultimate camera for trillions of dollars and just for me haha
The Contax is just all around amazing. For one thing, it shoots one of my favorite formats, 645. It uses all Zeiss glass. It's pretty lightweight considering it's size and construction (has some carbon fiber). You can switch from 120 to 220 film with just a pressure plate, no need for multiple backs just for sizes. It has a meter. It has autofocus. It also has a vacuum system which maximizes sharpness because it keeps the film flat.
And I think the Hasselblad XPan would be fun to mess around with.