14153999:ben.dover said:why are they always trying to make everything so epic
chill MSP your shit aint that good
14154011:Jpurd said:Meh. If someone can tell me what's different about this than any other backcountry movie I'd happily be willing to have my mind changed.
14154019:Pachankz said:It's a classic standard in ski films, with legendary rippers like hoji and abma, what more could you ask for, get stoked!
14154026:Jpurd said:Let me be clear, not trying to hate. Agreed, will be cool to see some rippers. Just more surprised I guess that this is getting an audience in 2020, but I guess it's not made for NS
14154004:ben.dover said:New here!
I rip tho
14153999:ben.dover said:why are they always trying to make everything so epic
chill MSP your shit aint that good
14154133:BrotherhoodFilms said:Feels weird seeing toyota, alaska airlines & a brewing company in there.
i mean good for them for getting these kind of sponsors, but also... where are the core ski brands at
14154133:BrotherhoodFilms said:Feels weird seeing toyota, alaska airlines & a brewing company in there.
i mean good for them for getting these kind of sponsors, but also... where are the core ski brands at
14154131:pokerman said:Come on boys. There are very few skis movies with an actual budget these days. Yeah its the same formula as in the past but it's still skiing and it's still rad as fuck.
14154147:eheath said:Toyota has been supporting the ski/snowboard industry for years, non-endemic sponsors are pretty important IMO and idk why you think some core ski brand has money to give a company like MSP...
14154147:eheath said:Toyota has been supporting the ski/snowboard industry for years, non-endemic sponsors are pretty important IMO and idk why you think some core ski brand has money to give a company like MSP...
14154237:DesertStix said:Yeah I don’t get the argument that companies like Toyota and Alaska Airlines shouldn’t sponsor ski films so core companies can. How is traveling not an integral part of skiing? Unless you ski the same mountain and live within walking distance of the base, you’re going to travel in this sport.
Didn’t Toyota give TYW a Tundra TRD pro so he could get around? Hell, Markus Eder is one of the most globally marketable skiers and has a sponsorship from BMW. And an airline sounds like a clutch sponsor if you’re trying to take a team trip somewhere. all of this sounds like it’s directly supporting the sport that we’re here for and allows the riders to go hit spots all around the world.
14154237:DesertStix said:Yeah I don’t get the argument that companies like Toyota and Alaska Airlines shouldn’t sponsor ski films so core companies can. How is traveling not an integral part of skiing? Unless you ski the same mountain and live within walking distance of the base, you’re going to travel in this sport.
Didn’t Toyota give TYW a Tundra TRD pro so he could get around? Hell, Markus Eder is one of the most globally marketable skiers and has a sponsorship from BMW. And an airline sounds like a clutch sponsor if you’re trying to take a team trip somewhere. all of this sounds like it’s directly supporting the sport that we’re here for and allows the riders to go hit spots all around the world.
14154133:BrotherhoodFilms said:Feels weird seeing toyota, alaska airlines & a brewing company in there.
i mean good for them for getting these kind of sponsors, but also... where are the core ski brands at
14154262:Malczyk said:*a little insight here,You don't have to pay to play for insta-edits but these film companies got bills to pay.
The brands the riders in the movie are on are most likely paying for it but on a smaller (comparative to Toyota) scale. It's big commitment in terms of the size of marketing budgets these days, check the credits, each logo represents ~$5k to $15k depending on what kind of raw footage or activations they worked out in the contract, plus the individual athletes travel budget which they hopefully have from their sponsor. MSP's operating and equipment costs (GSS, Red Cams, travel, heli fuel, ect) are huge so besides the 1 or 2 'buddy shots' (John Ware had some of the best clips last year) if you're getting a full part in an MSP/WME/TGR film at least 1 brand you're repping is supporting it. Those negotiations/decisions are tough because it puts the rider's talents second to the business of it. Those facts and the drying up of big-dollar sponsors plus the general shift from full films from independent film companies is sad but the reality of the times. Good on MSP for producing a product that can get big non-endemic sponsors, I just hope it trickles down to the athletes and not just in the form of stoke or publicity as they are risking their lives to make it happen. Also nice to see 100% more female representation this year.
TL,DR --> it biznass
14154239:eheath said:Yeah hes got some deal, simon used to get a new lease every year...
I just dont think people understand that not only does toyota give them a boat load of cash, but they also get vehicles to drive around in, its a good deal for skiing. *insert core ski brand* isnt giving anyone more than like 10k and thats chump change for MSP, id rather see core ski companies support small ski filmers/crews.
14154177:toast said:sorry, but i think this is such a weak perspective on the issue. we always expect skiers to push their limits, find new progression, challenge the norms. why shouldn't the same be expected of the filmmaking side? MSP is stale as fuck, there is zero creativity left because they just recycle the old ideas and styles. it's rewatching the same movie they made 5 years ago with new footage. i just feel like that devalues the featured skiing in the movie. there's nothing to differentiate this project from any of their other recent ones. i'm sure hoji and abma are hyped to be a part of a more sustainable, big-budget production like MSP, but at the same time, their skiing deserves to be displayed in a piece where the filmmakers similarly are challenging themselves to try new things. every year MSP features insanely talented skiers at the top of their game, but nobody gives a fuck because there is nothing that makes those movies memorable like other productions that take risks and try to innovate. MSP is the new WME. And I understand the reality of budgeting and production etc. etc. better than I let on, I'm just groveling. Shit like this should be memorable, not cardboard action sports porn.
14154415:pokerman said:Being stoked on a ski film is a weak perspective?
Organizing trips to uncharted lands in Alaska. Bringing a full production crew deep into mountains ranges in remote parts of the world where it takes multiple days to access terrain. Using helicopters and huge budget cameras to capture these moments in a format that can be played on a big screen and not intended for YouTube / IG. — all things they absolutely nail to a T. Yeah its not your hipster vx1000 in a park trying to get an angle to make it look “huge” but whatever. Yeah the editing is repetitive and the songs aren’t appealing but it takes soo much planning, skill and experience to pull off the feats they do.
Not to take away from the indie brands but basically any 16 year old kid can take turns filming a handrail and put it together in a “stylish” way- that’s how NS was built. VERRRY few can pull off what MSP does. Most crews these days don’t even build jumps in the backcountry…like what....
It sounds like I am a big MSP fan but I am not. I just admire what they do and choose to support one of the last standing ski production companies still making it instead of mindlessly hating. Every single indie crew from back in the day; new intel, 604, 4bi9 right up to larger productions, Plehouse, Rage, mystic land, meatheads, Stept, Poorboyz and now level 1 all called it quits. Hating on one of the oldest production houses still highlighting our sport is super lame.
Also they are THE only production company with female presence. Stale!? Sam K’s part last year was fucking insane. I don’t understand your perspective because you actually make movies... are you not aware of how difficult it is to produce a high budget film with such small forecast windows and variable winters...
14154415:pokerman said:Being stoked on a ski film is a weak perspective?
Organizing trips to uncharted lands in Alaska. Bringing a full production crew deep into mountains ranges in remote parts of the world where it takes multiple days to access terrain. Using helicopters and huge budget cameras to capture these moments in a format that can be played on a big screen and not intended for YouTube / IG. — all things they absolutely nail to a T. Yeah its not your hipster vx1000 in a park trying to get an angle to make it look “huge” but whatever. Yeah the editing is repetitive and the songs aren’t appealing but it takes soo much planning, skill and experience to pull off the feats they do.
Not to take away from the indie brands but basically any 16 year old kid can take turns filming a handrail and put it together in a “stylish” way- that’s how NS was built. VERRRY few can pull off what MSP does. Most crews these days don’t even build jumps in the backcountry…like what....
It sounds like I am a big MSP fan but I am not. I just admire what they do and choose to support one of the last standing ski production companies still making it instead of mindlessly hating. Every single indie crew from back in the day; new intel, 604, 4bi9 right up to larger productions, Plehouse, Rage, mystic land, meatheads, Stept, Poorboyz and now level 1 all called it quits. Hating on one of the oldest production houses still highlighting our sport is super lame.
Also they are THE only production company with female presence. Stale!? Sam K’s part last year was fucking insane. I don’t understand your perspective because you actually make movies... are you not aware of how difficult it is to produce a high budget film with such small forecast windows and variable winters...
14154475:toast said:i guess to sum it up, to me, art is about taking risks and synthesizing new ideas.
MSP athletes and trip planners are clearly creative and successful there. but whoever is building the story in the editing room is stuck in the same troph they've been in for years.
at the end of the day, josh is right. it's business. you sacrifice creative license and autonomy when you've got to please the corporate interests of brands like toyota.
14154492:MikeWeinerONE said:The corporate interests of Toyota spend a lot of money so that people from Kentucky, Florida, etc are stoked to ski and spend money on ski equipment and ski vacations which funds the sport for the NS crowd and skiers living in ski towns.
What do you think the most interesting shots are now days? You don’t see any interesting shots in these movies? Which editing techniques would you like to see more of?
Do you believe a company like MSP should try to appeal to 15-24 YO males with limited budget to spend money? Or do you prefer they cater to rich people who fund our sport in a larger scale and funnel money to bartenders, servers, resorts, or even small mountains and events at these places.
Someone has to stoke these people out to continue to come out to places like UT/CO/Tahoe and drop an average of 10K a week for a family of 4. Without these people being stoked on skiing, our culture and our resorts we wouldn’t exist.
I also believe Scott Gaffney is a true professional and knows or is capable of learning any editing technique to go alongside his creative mind if that was what attracted these sponsors.
14154492:MikeWeinerONE said:The corporate interests of Toyota spend a lot of money so that people from Kentucky, Florida, etc are stoked to ski and spend money on ski equipment and ski vacations which funds the sport for the NS crowd and skiers living in ski towns.
What do you think the most interesting shots are now days? You don’t see any interesting shots in these movies? Which editing techniques would you like to see more of?
Do you believe a company like MSP should try to appeal to 15-24 YO males with limited budget to spend money? Or do you prefer they cater to rich people who fund our sport in a larger scale and funnel money to bartenders, servers, resorts, or even small mountains and events at these places.
Someone has to stoke these people out to continue to come out to places like UT/CO/Tahoe and drop an average of 10K a week for a family of 4. Without these people being stoked on skiing, our culture and our resorts we wouldn’t exist.
I also believe Scott Gaffney is a true professional and knows or is capable of learning any editing technique to go alongside his creative mind if that was what attracted these sponsors.
14154019:Pachankz said:It's a classic standard in ski films, with legendary rippers like hoji and abma, what more could you ask for, get stoked!
14154492:MikeWeinerONE said:Do you believe a company like MSP should try to appeal to 15-24 YO males with limited budget to spend money? Or do you prefer they cater to rich people who fund our sport in a larger scale and funnel money to bartenders, servers, resorts, or even small mountains and events at these places.
14154494:eheath said:You're crazy if you think MSP and Toyota are driving the economy of skiing, every resort/state spends millions on adverting. MSP could stop making movies and we'd probably still see a rise in skier days.
I think the point Gavin is making is that he's over seeing the same movie every year, which for the most part is true, same with TGR IMO But, this is how every ski movie company has done it ever, they find a formula and stick with it. Gavin wants to see these people (MSP, TGR, etc) do something different, but thats a tough ask with so many dollars on the line and only so many things you can do on skis.
14154345:chef_boyardee said:Huck Yeah has got to be one of the worst film titles I've ever heard of
14154868:pinkcamo1000 said:this is one of the wackest things I have ever read on this website. It's almost as bad as your defense of the fagans. 15 - 24 YO kids have and always will be the heart of this community, not tourists from kentucky. Ski resorts catering to rich tourists is what is making skiing less affordable for the average person. Most ski bums I know or have met work trades all summer to pay for their skiing, not bartending during the winter. Most ski bums can't afford the rent in mountain towns anyway and that is because of the increasingly wealthy skier demographic.
Basically you are arguing in favor of trickle-down economics, which has been proven time and time again to not work. You are a corporate bootlicker and a racist apologist.
14154026:Jpurd said:Let me be clear, not trying to hate. Agreed, will be cool to see some rippers. Just more surprised I guess that this is getting an audience in 2020, but I guess it's not made for NS
14154131:pokerman said:Come on boys. There are very few skis movies with an actual budget these days. Yeah its the same formula as in the past but it's still skiing and it's still rad as fuck.
They have made movies longer than you have been alive and are still travelling to places to ski lines no one has ever skied. If that doesn't spark a slight interest then go back to watching vishnu kids hitting park benches on snow days.
14155481:MikeWeinerONE said:MSP is not making ski movies for ski bums. But for corporate sponsors. Move on.
You don’t know me and your calling me a racist apologist? Lol. I was defending kids being kids like the old MsP movies you speak of where they’re smoking blunts. I’m sure if that happened now we would have a whole other mob of people talking shit about that. Keep judging people you don’t know, it’s a great trait.
14153999:ben.dover said:why are they always trying to make everything so epic
chill MSP your shit aint that good
14155639:dan4060 said:Why would you expect big mountain skiing NOT to get an audience in 2020?
You are correct about one thing, it is not really geared towards NS. It is geared towards people who ski big mountain. NS has plenty of people who are into this kind of skiing. I'm curious as to where you live and what kind of terrain you ski. I'm not criticizing park skiing, but if you don't see why films which don't focus on park and urban are still popular you are missing out on what a huge percentage of serious skiers actually likes.
If you are implying that MSP has had the same formula for a long time, well I would certainly agree. There is a good reason for that. Both MSP and TGR have formulas that work, and work well.
If you are a park skier the big mountain stuff might look repetitive. I get that. You should also understand that to many who focus on steep terrain the park stuff looks repetitive.
14154868:pinkcamo1000 said:this is one of the wackest things I have ever read on this website. It's almost as bad as your defense of the fagans. 15 - 24 YO kids have and always will be the heart of this community, not tourists from kentucky. Ski resorts catering to rich tourists is what is making skiing less affordable for the average person. Most ski bums I know or have met work trades all summer to pay for their skiing, not bartending during the winter. Most ski bums can't afford the rent in mountain towns anyway and that is because of the increasingly wealthy skier demographic.
Basically you are arguing in favor of trickle-down economics, which has been proven time and time again to not work. You are a corporate bootlicker and a racist apologist.
14155861:Jpurd said:Grew up on the east coast, now living in Colorado, so if your point is that I don't have the same appreciation for backcountry skiing that others might, sure that's definitely true.
I just don't think they are that creative - I think a lot of it looks really repetative - but to be clear, I felt this way about the last PBP films and even some level 1 films (Less, Partly Cloudy) and even some of the Stept Movies. The difference with Stept/Level 1 is that I have a greater appreciation for the gnarly shit they were doing on the streets vs the massive mtn lines that most skiers cannot relate to.
I also think watching park/street is much more relatable to the majority of skiers and not just on NS. How many people that ski at your average resort have ever skiied anything remotely close to an AK line or chest deep pow in BC. I can't afford to do this, and I'm sure the average family of skiers, even the ones with money, aren't ripping lines in these areas on the reg. If anything, some of the boring shit in WME films are more relatable to the "average" skier who is tearing up blue/black groomers and skiing 10-20 days a year.