Dub 10 help

Looking to try dub 10 at some point this winter. Any tips? I normally carve my corks would that be easier or should I flat base it? Should I try to throw more flippy or spinny? What's a good size jump?

Any knowledge/stories/wisdom appreciated.
 
topic:Johngreenacre said:
Looking to try dub 10 at some point this winter. Any tips? I normally carve my corks would that be easier or should I flat base it? Should I try to throw more flippy or spinny? What's a good size jump?

Any knowledge/stories/wisdom appreciated.

I myself cannot dub cork 10 but mad respect if you send her man, make sure to post clips if you get it! It seems like the amount of flip is preference and maybe get it on tramp first if possible. Good luck dawg.
 
13986665:lmmcc said:
/r/humblebrag

Fuck is the point of this site if you cant even ask for trick help. cmon man its not like I was like "I can do sw dub 9, dub flat 7, and my corks are perfect so I think I'm gonna take it to the next level"
 
13986665:lmmcc said:
/r/humblebrag

lol look at this unathletic dweeb... maybe if you spent more time on skis and less time bitching about people that are better than you on newschoolers you'd be able to double cork too. good luck OP you got this!
 
You can only send her off a catwalk.

Seriously, the only advice I can offer is to keep your core tight. When I tried a dub rodeo it didn't work because my body became floppy after the first rotation. What I've noticed watching people do them in slow mo, they spot the ground at the end of the first rotation, but they don't do it very long. Pretty much as soon as the second rotation begins, they direct their head around again because the body follows the head.
 
13986699:Johngreenacre said:
Fuck is the point of this site if you cant even ask for trick help. cmon man its not like I was like "I can do sw dub 9, dub flat 7, and my corks are perfect so I think I'm gonna take it to the next level"

this is facts

dont listen to the trolls dude

i personnally cant do one so mad respect if u even try it

sorry for no tips but Good Luck!!!
 
The quick answer is get yourself to an airbag and get around coaches who know how tricks work mechanically, personally I'd suggest WV BBTS, they have camps in the spring, fall, and summer and their coaches know what they're talking about.

The longer answer is: 1) make sure you have a sound Cork 7 (Assuming spinning L, if spinning R the same principles apply just mirror the directions... obviously lol) with proper lean on takeoff, what that means is that you should make sure that when you take off on a cork 7 your body is leaning left, for example if you draw a straight line down your body (looking down hill) it should be somewhere between \ and I. if your body lean looks like this, / , you'll probably have an issue staying at 7 (the trick will have a tendency to want to go to 9) and when it does stay at 7 the way it comes around puts lots of stress on your knees, specifically ACL. Making sure you have a good lean is very important when trying to add a flip because it makes sure you come through into the second flip squarely and keeps you doing the trick you want, not accidentally a 12 or something.

2) Carving isn't an issue however make sure you're not relying on the carve for power. you generate the most powerful and stable rotation by staying strong and setting through your shoulders, core, legs and feet (in an oversimplified way: legs and feet work to generate mostly flip, shoulders and core mostly spin, however all need to work controlled and together). Ideally you should be pressuring on your left edges (not specifically carving but pressuring) this will help the previously mentioned lean thing and help power.

3) generally flippy is easier to learn and then yo can work it more upright if you want but it mostly depends on what you're comfortable with and what you're comfortable flipping over in the second flip (ex: cork 3, backflip, and variation in between)

Keep in mind all of this is a serious oversimplification and everything here glosses over a great deal of complexity, also remember its generally guidelines but everyone works differently. once again I'd suggest get yourself to an airbag and/or find coaches, its a lot easier to help in person and not through an NS forum. hope this helps! best of luck!
 
13987100:J.Barry said:
The quick answer is get yourself to an airbag and get around coaches who know how tricks work mechanically, personally I'd suggest WV BBTS, they have camps in the spring, fall, and summer and their coaches know what they're talking about.

The longer answer is: 1) make sure you have a sound Cork 7 (Assuming spinning L, if spinning R the same principles apply just mirror the directions... obviously lol) with proper lean on takeoff, what that means is that you should make sure that when you take off on a cork 7 your body is leaning left, for example if you draw a straight line down your body (looking down hill) it should be somewhere between \ and I. if your body lean looks like this, / , you'll probably have an issue staying at 7 (the trick will have a tendency to want to go to 9) and when it does stay at 7 the way it comes around puts lots of stress on your knees, specifically ACL. Making sure you have a good lean is very important when trying to add a flip because it makes sure you come through into the second flip squarely and keeps you doing the trick you want, not accidentally a 12 or something.

2) Carving isn't an issue however make sure you're not relying on the carve for power. you generate the most powerful and stable rotation by staying strong and setting through your shoulders, core, legs and feet (in an oversimplified way: legs and feet work to generate mostly flip, shoulders and core mostly spin, however all need to work controlled and together). Ideally you should be pressuring on your left edges (not specifically carving but pressuring) this will help the previously mentioned lean thing and help power.

3) generally flippy is easier to learn and then yo can work it more upright if you want but it mostly depends on what you're comfortable with and what you're comfortable flipping over in the second flip (ex: cork 3, backflip, and variation in between)

Keep in mind all of this is a serious oversimplification and everything here glosses over a great deal of complexity, also remember its generally guidelines but everyone works differently. once again I'd suggest get yourself to an airbag and/or find coaches, its a lot easier to help in person and not through an NS forum. hope this helps! best of luck!

Thank you so much for the great response.
 
13987100:J.Barry said:
The quick answer is get yourself to an airbag and get around coaches who know how tricks work mechanically, personally I'd suggest WV BBTS, they have camps in the spring, fall, and summer and their coaches know what they're talking about.

The longer answer is: 1) make sure you have a sound Cork 7 (Assuming spinning L, if spinning R the same principles apply just mirror the directions... obviously lol) with proper lean on takeoff, what that means is that you should make sure that when you take off on a cork 7 your body is leaning left, for example if you draw a straight line down your body (looking down hill) it should be somewhere between \ and I. if your body lean looks like this, / , you'll probably have an issue staying at 7 (the trick will have a tendency to want to go to 9) and when it does stay at 7 the way it comes around puts lots of stress on your knees, specifically ACL. Making sure you have a good lean is very important when trying to add a flip because it makes sure you come through into the second flip squarely and keeps you doing the trick you want, not accidentally a 12 or something.

2) Carving isn't an issue however make sure you're not relying on the carve for power. you generate the most powerful and stable rotation by staying strong and setting through your shoulders, core, legs and feet (in an oversimplified way: legs and feet work to generate mostly flip, shoulders and core mostly spin, however all need to work controlled and together). Ideally you should be pressuring on your left edges (not specifically carving but pressuring) this will help the previously mentioned lean thing and help power.

3) generally flippy is easier to learn and then yo can work it more upright if you want but it mostly depends on what you're comfortable with and what you're comfortable flipping over in the second flip (ex: cork 3, backflip, and variation in between)

Keep in mind all of this is a serious oversimplification and everything here glosses over a great deal of complexity, also remember its generally guidelines but everyone works differently. once again I'd suggest get yourself to an airbag and/or find coaches, its a lot easier to help in person and not through an NS forum. hope this helps! best of luck!

So some of that stuff was wrong in my opinion.

Basically the key difference for me that moves a cork 7 to a Double Cork 10 is not the shoulder , its the hip popping and head dipping.

If you hold a strong hip posture and pop your hip harder then on a regular cork 7 and dip your head stronger towards the cork 7 direction you'll automatiaclly do a double 1080 , the difference between a 10 and 12 is literally just a slight head shift to the left (if you spin left respectivel right for rightside) when you enter the 2nd flip/rotation.

Experience coming out of 10 years of 2 times corking.

But as quoted post said , if you ask 10 people to do a double cork 10 in front of you there is a high chance to you'll see about 3-4 or more variations in settings , axis and take offs. Really depends on your preference , taste and whatever works best on you.

**This post was edited on Jan 18th 2019 at 4:37:08am
 
Most important part of dubs for me is getting a really solid set. It's much easier to slow your rotation down coming out of the second flip than to speed your rotation up.

I would choose whatever you're more comfortable with for how you approach the takeoff. Before I try new dubs I analyze how other people do it but ultimately don't try to mimic other people's take off because I know how I set my tricks will probably be different, just take what I can and apply it to how I would do it.

Also, visualization is huge. Pretty corny but if you can visualize something in you're head you can do it
 
13988278:swagburg said:
Most important part of dubs for me is getting a really solid set. It's much easier to slow your rotation down coming out of the second flip than to speed your rotation up.

I would choose whatever you're more comfortable with for how you approach the takeoff. Before I try new dubs I analyze how other people do it but ultimately don't try to mimic other people's take off because I know how I set my tricks will probably be different, just take what I can and apply it to how I would do it.

Also, visualization is huge. Pretty corny but if you can visualize something in you're head you can do it

True my man - set solid

I also like trying to get first rotation fast and playing with the second rotation speed && when I’m feeling stylish I can tweak and slow it down close to half speed of the first

Do you do that?? Lmk
 
Honestly this could apply for any trick but especially for dubs if you're not feeling it on the way in don't hesitate to back out and do a couple more regular corks or even make sure your speed for the jump is perfect. Every time I've seen someone get destroyed trying a dub they say "I wasn't really feeling it on the way in but I decided to send it anyway." and they always regret it. Good luck homie you got this
 
I’m trying to get dub 10’s this season too. Iv just been working on progression on tramp- need to throw the dub soon but I am having to tweak the set a bit to land right on the X. If your thinking about throwing it on snow I’d suggest dialing on tramp first.
 
13988871:DTetz said:
I’m trying to get dub 10’s this season too. Iv just been working on progression on tramp- need to throw the dub soon but I am having to tweak the set a bit to land right on the X. If your thinking about throwing it on snow I’d suggest dialing on tramp first.

yes tramp is how Ive learned everything. I've had dub 10s on lock for a couple years now so I'm thinking I should try them on snow soon
 
13988278:swagburg said:
Most important part of dubs for me is getting a really solid set. It's much easier to slow your rotation down coming out of the second flip than to speed your rotation up.

I would choose whatever you're more comfortable with for how you approach the takeoff. Before I try new dubs I analyze how other people do it but ultimately don't try to mimic other people's take off because I know how I set my tricks will probably be different, just take what I can and apply it to how I would do it.

Also, visualization is huge. Pretty corny but if you can visualize something in you're head you can do it

thanks man, this is definitely really accurate cause my tricks are a bit different than other peoples and it will absolutely apply here. hope it doesn't fuck me up
 
13988927:Johngreenacre said:
yes tramp is how Ive learned everything. I've had dub 10s on lock for a couple years now so I'm thinking I should try them on snow soon

JUST SEND IT DUDE , you got this
 
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