Best angles for filming rails

[Lskier_]

what are goods angles to film rails? All my film is just my following the skier next to the rail and after a while i feel like having the same shot with a different trick the angle gets boring. I know this may be a hard question to explain but anything will help

 

[HarkStudios]

2/3s of the way down the rail with a fisheye, pointed at the skier, pivoting at the tip of the lens to follow the skier.

even though this is for skateboarding, it is kinda the same thing.. it has good stuff..

 

[eheath]

Just walk around the feature when you're setting up, try out a few different angles. I'd avoid in the face fisheye as much as possible. I looks good on some features but in reality a medium shot from bellow or above will look just as good.

 

[HarkStudios]

Just walk around the feature when you're setting up, try out a few different angles. I'd avoid in the face fisheye as much as possible. I looks good on some features but in reality a medium shot from bellow or above will look just as good.

The long shot also looks pretty good... If you can have another feature peaking into the foreground but clearly out of focus that always looks good...

 

[DorianF]

depending on the rail (only looks good if its a large feature and they are doing something big off, doesn't really work for technical tricks where you really want to focus on the footwork)

you could use a long shot with a slider (put a evergreen branch or something in front and slide past it)

 

[DorianF]

it really depends on the trick though, what part are you trying to draw your audience's attention to? you need to keep this in mind. do you want the audience to focus on how big the rail is? how large the drop is? the technical trick the skier is trying to do. what is your focus?

with this in mind here are a few of my favorite angles

if its a press or something get REALLY close and make sure the press is obvious in the composition of the shot

270 into something skinny? nosebutter in? maybe start on the lip of the rail and ski backwards with the camera REALLY (almost touching) close to the rail (need a stabilizer or something so that the rail itself doesn't distract from the skier - gotta be smooth and the rail seems to "flow" past. make sure the rail is taking up a reasonable portion of the frame)

single trick (not a line) - consider pulling focus from something in the background to infinity then pan with the skier as they ride the rail

* could just have something cool in the background and pan to skier cityscape, sunset, etc as the skier gets closer - consider pulling focus at the end to make the shot not in focus and perhaps pan up or into a tree etc (makes editing transition easier)

single trick onto a street entry rail - start on the side of the skier and ski across the lip, facing the bottom of the rail the whole time (kind of like a really large slider but only across the "lip pad" just in front of the rail at rail height)

_______________________________

Just plan your shot so its not always the same thing over and over. even if the skiing is awesome it gets boring. just vary the camera angles so that you don't have the same ones back to back when you edit and it instantly makes it more entertaining

 

[DorianF]

270 into something skinny? nosebutter in? maybe start on the lip of the rail and ski backwards with the camera REALLY (almost touching) close to the rail (need a stabilizer or something so that the rail itself doesn't distract from the skier - gotta be smooth and the rail seems to "flow" past. make sure the rail is taking up a reasonable portion of the frame)

i guess i should clarify point the camera towards the start of the rail as you ski backwards and make sure that the skier is skiing towards you - try to stay the same distance from the skier the whole time (easier said than done)

 

[Huck-e-Cheese]

most importantly, make sure the peak of the trick is not an ass shot, i hate seeing that in edits, it happens, but avoid it if you are able to haha, just looks way better imo