Anyone do wedding photography?

Gospelfaith

Member
I'm starting to really get into it after helping out for some friends doing weddings at my church.

I'm wondering if anyone else does any and if they have any good tips
 
this really is not the place to be asking about that, if you want any actual good information you need to go to an actual photography forum, not a skiing forum
 
plenty of people on this site causally make money doing wedding stuff.

OP the hardest part is getting booked, you'll need more than just a website. It will be very hard to network with wedding planners because you probably don't have much to show. Start with family and friends, or continue assisting other photographers until you have a strong portfolio.
 
I've been perusing this site for a while... there's some talented people here from what I can see.

Who says nobody who skis can do wedding photography anyways man?
 
did I say that? but you are going to a ski site for something completely irrelevant to skiing. It would be like going to a car forum and asking if someone can help fix your computer. sure some might be able to help, but you will find WAYYYYYYYYYYY more information somewhere else. It's just not logical to ask here. Pretty obvious by the number of posts in this thread. You could go to a photo forum and find thousands of posts with useful information that i guarantee will largely be better then anything you might possibly get on here. Because to put it bluntly, 99% photo info on ns is fucking terrible for anything other then ski related stuff.
 
I shoot weddings here and there. I actually have one coming up next weekend!

Anyways. Weddings are hard as fuck. I would say one of the hardest types of photography there is. There are no re-dos, so it has to be spot on perfect the first time. That being said, the number one most important thing about wedding photography is..

ALWAYS HAVE BACKUPS! You must have backups of every single thing you own. Second (or maybe even third) camera body, multiple flashes, cards out your asshole, etc. You get my drift? If your gear craps out on you, you better be ready for it. And it will happen to you, it happens to everyone. Another small tip that I really find useful is to shoot on smaller cards. If you shoot a quarter of the wedding on a 16g card and that card corrupts, you're fucked. Yeah it can be annoying to be switching cards all the time but it ensures that you will have shots of everything even if one does corrupt. Once you start doing this, you'll get used to it really quick.

Next thing is about lighting. You're going to be shooting in some absolutely crazy lighting situations, and it can change within minutes. If you don't have flashes, get some. And once you get them, learn how to bounce them effectively. And if you don't want to learn how to bounce them (and you should), get a Gary Phong Light Sphere. Hahah. Seriously though, that thing is magical, especially for receptions. If you don't want to work with flashes, and a lot of wedding photog's don't, then pick yourself up a 5dmkII and a 1.2 lens. A lot of churches won't let you shoot the ceremony with flash (if you get to shoot the ceremony at all), and most churches are dark as fuck. You gotta be ready to compensate for that, and really the only way is to jack up that ISO and open your aperture all the way. And ISO 3200+ is going to look like absolute shit on really anything but a 5dmkII.

Learn posing. It is one of the most crucial things you will need to know when shooting a wedding. There are always formals, and that can range from the bride and groom to an entire family of 20 people. You're going to need to know how to pose the bride and groom, the bridal party, the groomsmen, the bride and her family, the groom and his family, you get my drift? Knowing how to pose a group of 15 people is HUGE and when you have 15 people just staring at you and saying "WHAT DO YOU WANT US TO DO!>>!>!?!?" you better know the answer. Because they will stand there like a deer in headlights that have never been in a photograph before. YOU are directing them where to go. Also know beforehand what specific pictures they want, know who everyone is (moms/dads/grandmas/etc) and make a list. It'll make it easier on everyone to just run down the list to ensure you got everything and everyone important. Nothing is worse than a bride 6 months down the road being like "WHY ISNT UNCLE JIMMY IN THESE PICTURES, HE RAISED ME, BLAH BLAH" when you had no idea this guy was such a big deal.

Go to the location before the wedding. Try and go there a day or two before the wedding at the time it will take place. You need to get a feel of how the lighting is going to be at that time of day. Also, you will be able to scout places to bring the couple/families when it comes time for formals. Nothing is better than a photographer in control and can just bang out those formals real quick, but also make them awesome. Knowing your surroundings and how the light acts at that time of day is how you make them awesome. The family will also appreciate how efficient you are, because they all wanna start partying at the reception!

If there's free alcohol at the reception, don't get drunk.

Also, on the same note, don't go in there expecting to eat a meal at the reception. You might be there for 8+ hours and some places don't offer a 'vendors meal'. And if they do, it's usually shit. So prepare. Bring a clif bar or something.

Basically, just prepare yourself like you are going into war. Be ready for any situation because the clients will look to you to make a lot of hard decisions. And if you aren't able to and their day is going to shit, you will be the first one they blame. I would post more but it's early in the morning so if you have any other questions, just let me know.
 
Dude for real Balto is right. You'll find stuff here but you'll get a lot more and better info if you go ask on fredmiranda.com. Instead of getting one detailed response like the one above you'll get 20.
 
Damn... That's a hell of a lot of info...

... what about if I plan on shooting film perhaps? What film would you recommend for such a thing? I feel that film would make things a little bit less complicated when it comes to some aspects (namely it takes out the possibility for a card to corrupt like you said... sounds like if you're shooting rolls of 24-30 film shots, it's about like changing cards over and over anyways - and possibly cheaper than a ton of cards? - perhaps not in the longrun, but still)

Overall, incredible information! thankyou!
 
... it's a MEDIA AND ARTS forum on a ski site... I'm not asking this in freaking ski gabber. Isn't this a place RESERVED for questions such as mine? I'm not asking for the world... I was merely just asking for pretty much exactly what michelle told me - some simple straight up tips. I can spend hours researching somewhere else and getting crazy loads of information, but I wanted something simple and straight up over some lengthy thing.

Besides, as you know, NS has certain biases towards skiing right? just like tgr has it's biases...

...don't you think photography sites might have certain biases within them towards certain aesthetics? I'm doing broad research from asking in different places - thus, I do find it logical to ask this question here.
 
I would not shoot film unless you are extremely comfortable with shooting it already. If you want to shoot color, 800 speed film looks (generally) like shit, so it better not be low light.. which weddings usually are. With Portra 400 you can push it pretty damn hard in shitty conditions, but it still can look like shit if you're not careful. Also, loading film is a lot slower than putting in a memory card. Gotta be aware of that. And also no where as cheap as digital. It's extremely expensive.

So basically, I don't suggest shooting film for a wedding. At least not until you have a lot of experience in both shooting weddings with digital and shooting film a ton. Nevermind sunny 16, you better be ready to meter by yourself in a wicked dark church with weird mixed lighting.
 
the bad thing about weddings is that you only have one shot. and if you miss it, then you fucked up big time.

so with digital, you'll be able to do a lot of test shots to make sure everything is dialed. film seems far too risky to me.
 
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