of the things he wishes to remember.34 The most influential portion of ad Herennium, however, is the Abercrombie Outlet treatment of style, which occupies all of Book Four. The Abercrombie And Fitch Sale author names three levels of style, the grand, the middle, and the plain,35 giving lengthy examples of each. He states that each of these three styles should have the 32 Jerome identified it with Cicero, and the belief persisted until the fifteenth century. There is no evidence that Quintilian knew the work, and indeed it apparently dropped from sight until the fourth century of the Christian era without exerting influence on later classical theory. See Caplan's Introduction, pp. vii-xviii. 33 For the editor's discussion of this Hellenistic doctrine, sec his Introduction, p. ray ban sunglasses xviii, and notes on text, II.xviii.27fi 34 Although Abercrombie Shirts interest in memoria extends from Greek times, this section is the oldest extant treatment. Roman interest in sinful swimwear the subject is further demonstrated by Cicero (De oratore II.lxxxv.350) and Quintilian (Institutio XI.ii.1-51). ray bans sunglasses sale 36 Sunt igitur tria genera . . . Gravis est quae constat ex verborum gravium levi ct ornata constructione. Mcdiocris est quae constat ex humiliore nequc tamen ex infima et pervulgatissima verborum dignitate. Adtenuata est quae demissa est usque ad usitatissimam puri ray ban sunglasses consucditudinem sermonis. ad Herennium IV.viii.11. Copyrighted material 142 rhetoric in the middle sinful bikini ages connection with grammar.52 It is Abercrombie Fitch Outlet important to note that these studies seem to have been separate from the studies ray bans sunglasses of that type of rhythmical prose called the cursus, which was used in its own way in the ars dictaminis, or art of letter-writing. (The cursus is discussed below, in Chapter V.) That is to say, there was separate grammatical study of the phenomenon known as rithmus. We do not yet know in detail the relation between this comparatively abstract investigation and the much more practical use of the cursus in letter-writing theory. It is well known that the particular cursus developed at Orleans鈥攁 center of grammatical study鈥攈ad characteristics somewhat different from the cursus developed in the dictaminal centers of Bologna and Florence. Yet the full story remains to be told. In any case, Mari provided the grounds for beginning such an investigation. Four of the treatises in his collection Abercrombie T Shirts share a common definition: Rithmus est consonans paritas sillibarum certo numero comprehensa-rum鈩?These four treatises are devoted entirely to technical expositions of various forms which rithmus can take. It seems to be generally assumed by these writers that its two chief uses are in composing letters and in writing hymns. The discussions are usually quite technical. One writer provides the following analysis, perhaps best retained in the Latin of the text: Distinctio debet constare ex quator sillabis ad minus, et ex sexdecim ad plus. Clausula debet constare ex duabus distinctionibus ad minus ex quinque ad plus. Rithmus dividitur . . . alius monotongus, alius diptongus, et alius trip-tongus. Rithmorum aliie sunt transformed alii equicomi, alii bikini swimwear orbiculati, alii ser-pentini.54 Master Sion of Vercelli repeats these divisions (except that he provides for a division as far as pentaptongus), but adds, rithmorum alii caudati, alii non caudati,55 The other two writers in the group of four follow the same doctrine, with profuse examples for each category, some of the examples having alternate twelve- , thirteen- , fourteen- , or fifteen-syl- 52 Giovanni Mari, / trattati medievali di ritmica Latina, Memorie del reale istituto lombardo di scienze e lettere 20 (Milan, 1899). Mari prints eight texts, some of which are excerpted from larger works. 53 Ibid., pp. 11, 17, 23, and 28. 64 Ibid., pp. 11-16. 55 Ibid., p. 17. Copyrighted material preceptive grammar 149 treatment.44 An example of their concerns occurs in the De modis significandi of Martin of Dacia (d. 1304), a Danish scholar writing in Paris toward the end of sinful swimwear the century.45 Samples of his chapter headings from Book One may reveal his primary concerns: 21. De subdivisione nominis proprii 22. De modis accidentalibus nominis in communi 23. De modo significandi accidentali qui facit speciem 24. De modo significandi accidentali qui facit
of the things he wishes to remember.34 The most influential portion of ad Herennium, however, is the Abercrombie Outlet treatment of style, which occupies all of Book Four. The Abercrombie And Fitch Sale author names three levels of style, the grand, the middle, and the plain,35 giving lengthy examples of each. He states that each of these three styles should have the 32 Jerome identified it with Cicero, and the belief persisted until the fifteenth century. There is no evidence that Quintilian knew the work, and indeed it apparently dropped from sight until the fourth century of the Christian era without exerting influence on later classical theory. See Caplan's Introduction, pp. vii-xviii. 33 For the editor's discussion of this Hellenistic doctrine, sec his Introduction, p. ray ban sunglasses xviii, and notes on text, II.xviii.27fi 34 Although Abercrombie Shirts interest in memoria extends from Greek times, this section is the oldest extant treatment. Roman interest in sinful swimwear the subject is further demonstrated by Cicero (De oratore II.lxxxv.350) and Quintilian (Institutio XI.ii.1-51). ray bans sunglasses sale 36 Sunt igitur tria genera . . . Gravis est quae constat ex verborum gravium levi ct ornata constructione. Mcdiocris est quae constat ex humiliore nequc tamen ex infima et pervulgatissima verborum dignitate. Adtenuata est quae demissa est usque ad usitatissimam puri ray ban sunglasses consucditudinem sermonis. ad Herennium IV.viii.11. Copyrighted material 142 rhetoric in the middle sinful bikini ages connection with grammar.52 It is Abercrombie Fitch Outlet important to note that these studies seem to have been separate from the studies ray bans sunglasses of that type of rhythmical prose called the cursus, which was used in its own way in the ars dictaminis, or art of letter-writing. (The cursus is discussed below, in Chapter V.) That is to say, there was separate grammatical study of the phenomenon known as rithmus. We do not yet know in detail the relation between this comparatively abstract investigation and the much more practical use of the cursus in letter-writing theory. It is well known that the particular cursus developed at Orleans鈥攁 center of grammatical study鈥攈ad characteristics somewhat different from the cursus developed in the dictaminal centers of Bologna and Florence. Yet the full story remains to be told. In any case, Mari provided the grounds for beginning such an investigation. Four of the treatises in his collection Abercrombie T Shirts share a common definition: Rithmus est consonans paritas sillibarum certo numero comprehensa-rum鈩?These four treatises are devoted entirely to technical expositions of various forms which rithmus can take. It seems to be generally assumed by these writers that its two chief uses are in composing letters and in writing hymns. The discussions are usually quite technical. One writer provides the following analysis, perhaps best retained in the Latin of the text: Distinctio debet constare ex quator sillabis ad minus, et ex sexdecim ad plus. Clausula debet constare ex duabus distinctionibus ad minus ex quinque ad plus. Rithmus dividitur . . . alius monotongus, alius diptongus, et alius trip-tongus. Rithmorum aliie sunt transformed alii equicomi, alii bikini swimwear orbiculati, alii ser-pentini.54 Master Sion of Vercelli repeats these divisions (except that he provides for a division as far as pentaptongus), but adds, rithmorum alii caudati, alii non caudati,55 The other two writers in the group of four follow the same doctrine, with profuse examples for each category, some of the examples having alternate twelve- , thirteen- , fourteen- , or fifteen-syl- 52 Giovanni Mari, / trattati medievali di ritmica Latina, Memorie del reale istituto lombardo di scienze e lettere 20 (Milan, 1899). Mari prints eight texts, some of which are excerpted from larger works. 53 Ibid., pp. 11, 17, 23, and 28. 64 Ibid., pp. 11-16. 55 Ibid., p. 17. Copyrighted material preceptive grammar 149 treatment.44 An example of their concerns occurs in the De modis significandi of Martin of Dacia (d. 1304), a Danish scholar writing in Paris toward the end of sinful swimwear the century.45 Samples of his chapter headings from Book One may reveal his primary concerns: 21. De subdivisione nominis proprii 22. De modis accidentalibus nominis in communi 23. De modo significandi accidentali qui facit speciem 24. De modo significandi accidentali qui facit
